Trace Memory Read online

  'Hey, Owen,' said Gwen as she stepped down into the dark and narrow corridor that ran alongside the cells. 'What you up to?'

  'I'm writing a musical about my experiences with Torchwood,' said Owen. 'I'm gonna call it "Weevil Rock You".'

  'Oh, Owen, that's not funny,' said Gwen, laughing. 'What are you really up to?'

  'I'm keeping an eye on Janet,' he said. 'Something's wrong with her.'

  'Her?'

  'Her. It. Whatever.'

  'So what's wrong?'

  Gwen looked into the cell. Janet was stood in the corner, shoulders hunched, facing the wall. Every so often, it would make a low, gurgling sound, and paw at the damp brick wall with one hand.

  'That,' said Owen. 'She keeps doing that. Every twenty-six minutes. Then she'll sit down, and maybe try and sleep or something, and then bam – twenty-six minutes later, she's back up.'

  'Exactly twenty-six minutes?'

  'Yeah. For the last four hours.'

  Gwen shook her head and sighed.

  'Jack's right,' she said. 'We're all insane. It's a Sunday night, and you're here watching the resident Weevil, Tosh is upstairs doing... I don't know... Tosh things...'

  'Ianto?'

  'I don't know. I haven't seen Ianto.'

  Ianto Jones was at his station behind the run-down Tourist Information Centre that served as a front to the clandestine goings-on in Torchwood. His bare feet were on his desk, his tie slumped like a crestfallen snake next to an open pizza box, the top two buttons of his shirt undone.

  'Taking it easy, I see?' said Jack, stepping out through the security door that led into the Hub itself. 'Well, at least someone has the right idea. Whatcha doing there, Sport?'

  '"Sport"?' said Ianto. 'Not sure I like "Sport" as a term of endearment. "Sexy" is good, if unimaginative. "Pumpkin" is a bit much, but "Sport"? No. You'll have to think of another one.'

  'OK, Tiger Pants. Whatcha doing?'

  Ianto laughed.

  'I...' he said, pausing to swallow a mouthful of pizza, 'am having a James Bondathon.'

  'A what?'

  'A James Bondathon. I'm watching my favourite James Bond films, in chronological order.'

  'You're a Bond fan?'

  'Oh yes. He's the archetypal male fantasy, isn't he? The man all women want to have, and all men want to be.'

  'Are you sure it's not the other way around?'

  Ianto raised an eyebrow and took another bite of his pizza.

  'Hey,' said Jack. 'I'm sending everyone home. There's nothing happening here. The Rift is still giving out minimal readings. Gwen's going home, Owen's going home, and I think Tosh is almost done.'

  'The place to ourselves?'

  'Well...' said Jack, grinning.

  'So long as it's not going to interrupt my James Bondathon. I've only just started watching Goldfinger, and I haven't even reached the bit where Shirley Eaton gets painted gold yet.'

  'OK... Well, I'll just say goodbye to Owen and Gwen, and tell Tosh to wrap up, and then—'

  Jack didn't have a chance to finish his sentence. Even if he had, it was doubtful Ianto could have heard him, as the air was pierced by the shrill sound of the alarm.

  'What is it?' Ianto asked, his fingers in his ears. 'Fire?'

  'Jack...' It was Toshiko, speaking over the comms. 'We've got an intruder.'

  Gwen and Owen were leaving Janet and the holding cells when the alarm rang out and they heard Toshiko's voice.

  'Owen, Gwen, I need you up here immediately. We have an intruder. Hurry!'

  Owen bolted out through the door and Gwen followed. Together, they ran through the dark, dank corridors of Torchwood until they came out into the Hub. Toshiko was standing at her workstation, pale and stunned.

  'What is it?' asked Owen. 'Who's here?'

  'There's somebody in the basement,' said Toshiko. 'I was monitoring the pulse, and then... I checked one of the cameras, and there's a man down there. Where's Jack?'

  On cue, Jack entered the Hub with Ianto. Seeing Ianto with bare feet and a dishevelled shirt, Owen turned to Gwen and raised an eyebrow, but it did nothing to calm her nerves. How could somebody have got into the basement? More importantly, who or what was in there?

  As Toshiko turned off the alarm, Jack ran across the Hub to her workstation and looked down at the monitor.

  'It looks like a man,' he said. 'It looks human, at least. Tosh . . . How the hell did he get in there?'

  'I don't know, Jack. I was tracing the pulse, and I narrowed it down to Basement D-4. There was nothing there, and then... and then the image turned to static, and when the picture came back he was there. I've scanned the whole room; he's definitely human.'

  The image on the screen showed the basement, filmed from an upper corner. In the dim light, Jack could just about see a man, sat on the ground and hugging his knees.

  'And the pulse,' said Toshiko. 'It was temporal before, coming and going, but now it's constant. I thought it might be an electromagnetic wave, like radiation, but I'm not sure. It's not like any kind of radiation I've seen before.'

  'OK,' said Jack. 'I need to go down there.'

  'I'm coming, too,' said Owen.

  'No you're not,' said Jack. 'We could have the human equivalent of Chernobyl sitting in our basement if Tosh's readings are correct. I need to go down alone. I need a Geiger counter.'

  Toshiko ran to her workstation and opened a drawer, rifling through her collection of screwdrivers, soldering irons, and pliers.

  'Here,' she said eventually. 'It's charged.'

  Jack took the counter from her and headed out of the Hub. As he ran past, Ianto tried to say something, but couldn't. It was no use; none of them could stop him at a time like this. It was times like this that reminded them exactly whose organisation this was. They might be a team, and a team that had coped without him, but he was still the one in charge.

  'I was so bored,' said Gwen. 'I actually thought at one point, "Please let something interesting happen, I'm so bored".' She shook her head, and turned to Owen. 'Remind me never, ever to think that again. I was so much happier when I was bored.'

  'Liar,' said Owen.

  Jack stepped down towards Basement D-4. It was the first time he'd been there in a very long time. Even in a building this sealed off from the outside world, there was still a lot of dust. Dust, and spiders' webs, and all the evidence, if it were needed, that life finds a way of getting into even the most apparently sterile environments. It unnerved Jack a little to think, if spiders could get in, what else might be able to get out.

  Worse still, the Geiger counter was picking up next to nothing. If the electromagnetic waves weren't conventional radiation, that left only one possibility as far as he was concerned, and he didn't want to consider what that meant. As he neared the entrance to D-4, a metre-and-a-half-thick steel door, he brushed those thoughts away as easily as he had the spiders' webs. Someone was on the other side of the door. Someone that didn't belong there. He had to stay focused on that. Someone had got in through a room that hadn't been opened in thirty years or more. Someone was in there, and alive, in a place where the oxygen itself was stale and about as old as his staff.

  Jack punched a code into a panel at the side of the door, and waited four seconds before he heard the locks clank open inside. The door opened, and it sounded as if the room itself were breathing in. A gust of cool, fresh air (or as fresh as the air in Torchwood could be) swept in, and that old, dry, dusty air came out. Jack had, in his time, been in far too many crypts and sepulchres, of many different kinds, on many different worlds, and that was exactly what this felt like. It felt dead.

  'Hello...' said Jack, taking his revolver from its holster and holding it at his side. 'Hello... Can you hear me?'

  His voice echoed around inside the room, but no reply came.

  'OK... I'm going to come in now. But I warn you – I'm armed.'

  As he stepped into the room, he saw the same figure that he had seen on Toshiko's monitor, a man hunched over on the floor
, still holding his knees to his chest.

  'Hello?' said Jack.

  There was something about the man's clothes that was familiar to him. They didn't belong in Cardiff in 2008, that was for sure. He'd seen clothes like that many years before, the kind of utility clothes that everyone had after the war; drab and grey and lacking in any kind of ostentation.

  'Are you OK?' said Jack. 'I'm not going to hurt you.'

  He thought he could hear sobbing.

  The man on the floor looked up with eyes bloodshot from tears and an expression of absolute terror, and Jack gasped. He dropped his gun to the ground, and fell back against the wall of the vault.

  'Michael...' he said.

  TWO

  'Jack?'

  He'd been sitting alone in his office for ten minutes, while Owen and Gwen were taking Michael from Basement D-4 to the Boardroom; ten minutes in which he had done nothing but think, and yet those thoughts were still so clouded. How could he have allowed himself to be blindsided like this? How could he not have known this was going to happen?

  Decades spent knowing the future had, he supposed, left him with a kind of complacency; a resignation to the future and the concept of destiny. There was no point in fighting the future, or destiny, and so very little surprised him these days. Why had this hit him so hard?

  'Jack?'

  He looked over at the door. Gwen was standing in the entrance to his office, leaning against the doorframe, smiling softly.

  'You OK, Jack?'

  He shook off his mood, at least on the outside, and smiled back.

  'Yeah. I'm fine,' he said. 'I'm just glad our guest doesn't have six arms and a penchant for human flesh.'

  Gwen laughed.

  'You sure you're OK? I was watching the monitor, when you were down there. You looked like you'd seen a ghost.'

  'Yeah.' He paused, and then, with greater certainty, said 'Yeah. I'm fine. How is he?'

  'Michael?'

  Jack took a deep breath. 'Yeah. Michael.'

  'He's fine. A little shaken up. A little disorientated. But he's OK now. Owen's giving him his usual, sensitive bedside manner. You know how Owen is.'

  'By sensitive bedside manner I take it you mean the third degree?'

  'Something like that.' Gwen smiled, but the smile faded quickly. 'We've established that his name is Michael Bellini and that he's twenty-four. He said you knew his name.'

  'What's that?'

  'Michael. He said you knew his name. He said you called him "Michael".'

  'He must have been confused.'

  'Are you sure?' asked Gwen.

  'Yes.'

  'Oh. Because... I thought I recognised him. I don't know where from, but it's like déjà vu or something. Or like when you see somebody you recognise off the telly.'

  'I don't know him.'

  Gwen nodded, biting her lip. What was Jack hiding? He'd been so secretive about so many things, and every time it put her on edge. She trusted him, they all trusted him, but sometimes it was as if they didn't know him at all.

  'So are you coming down?' she asked.

  Jack shook his head. 'No,' he said. 'Not yet. I've got a few things need doing here. You go on down. I'll join you as soon as I'm finished.'

  Gwen left Jack's office and walked down to the Boardroom. Michael was sat in a chair at one end of the conference table, while Owen took his blood pressure. Ianto and Toshiko stood in the far corners of the room.

  As Gwen entered the Boardroom, Michael looked at her, wide-eyed and lost, and then at the others.

  'Here, Gwen...' said Owen, 'listen to this.' He turned to Michael. 'Who's the Prime Minister of Great Britain?'

  'W-Winston Churchill,' said Michael, his voice barely louder than a whisper.

  'OK... And who's at number one in the charts?'

  'Frankie Lane.'

  Owen turned to Gwen, his arms open as if he were the ringmaster of a circus presenting the next act.

  'Owen, quit it,' said Gwen. She looked at Michael. The young man looked so scared, it didn't seem fair turning him into a freak show.

  'He's from 1953,' said Owen. 'Or, to be exact, November the twentieth 1953. Churchill is Prime Minister, and Frankie Lane is at number one with... Hang on. Michael, what was that song called?'

  '"Answer Me",' Michael replied, timidly.

  'Owen, I said quit it. This isn't some kind of game show.' Gwen turned to Michael. 'Do you know how you got here?'

  Michael shook his head.

  'Do you remember where you're from?'

  Michael nodded. 'Cardiff,' he said. 'Butetown. I live on Fitzhamon Terrace. Where am I?'

  Gwen looked at the others. 'You didn't tell him?'

  The others shrugged.

  Gwen sighed and leaned back against the wall. She looked to the ceiling for an easy way to say this. How could you tell someone they were so far away from home? She'd sometimes felt as lost and as scared as he did now, especially in the early days. What could she say to him? 'You're still in Cardiff,' she said at last. 'But it's not 1953. That was more than fifty years ago.'

  Michael's eyes filled with tears once more, and he let out a shuddering, helpless sob.

  'But... But that means I'm almost eighty.

  'No,' said Gwen, smiling gently, trying to put him at ease. 'You're not eighty. You're still you. You're just here.'

  'But the future?' Michael shook his head. 'How can I be here? How can any of this be happening?'

  'Wait,' said Gwen, turning to Toshiko. '1953? We've had visitors from 1953 before. Do you think this could be connected to that?'

  Owen looked up suddenly, his expression a curious mixture of shock and hope.

  'I don't think so,' said Toshiko. 'They flew through the Rift in the Sky Gypsy. It wasn't the Rift that brought Michael here. It's clearly got something to do with the pulse that I was picking up earlier. The curious thing is, since we brought Michael here, I'm now picking up two definable sources for it.'

  'Two?'

  Toshiko nodded. 'Yes. Michael and Basement D-4.'

  'What does all this mean?' said Michael, growing angrier. 'You're all talking rubbish. None of this makes sense. It's a nightmare, isn't it? It's a bad dream? It's got to be a bad dream. I've been watching too many of those stupid bloody films at the pictures. All those films about flying saucers and spaceships...'

  'You're not dreaming,' said Gwen. 'What's the last thing you remember, before you were here?'

  Michael looked down at the ground, and his shoulders shook with another barely suppressed sob.

  It was like stepping off the roller-coaster at first, that feeling of nausea, and of senses overloaded. It took a few seconds for the white noise and for the light behind his eyelids to go away, and for him to realise that he was on his hands and knees, and that the ground beneath him was hard, and cold, and wet.

  Then there was the noise.

  He couldn't say that he had never heard it before, because he had, but many years ago. Like thunder, only it was worse than thunder. It was louder than thunder as if somebody was slamming a colossal door, and every time the door slammed the ground beneath him shook.

  Above that slamming sound there was the drone, that unmistakable drone, like a million angry hornets. The Heinkel bombers. After five months, they had all learnt the difference between the sounds of the British and German planes.

  Michael got to his feet and looked around. He was in the lane, his lane, at the end of Neville Street. Years ago, when he was a child, he had played in this lane, flicking pennies against the wall and kicking a ball about with Tommo and Mogs. Only, he suddenly realised, it wasn't years ago. Those games had happened at the same time that German bombers swarmed overhead and the howl of air-raid sirens would send people running for shelter.

  The bombers hadn't been aiming for the houses, of course, they were going for the train tracks and the depot. It just happened that the houses were built around both.

  He stepped out into Neville Street and saw the night sky lit up like H
ell. He remembered somebody telling him that the only reason the bombers got this far was that the antiaircraft guns on Ely Racecourse had malfunctioned, only that wasn't many years ago. It was now.

  It was 2 January 1941, and Michael Bellini was walking down the street where he had grown up as a child, a street he hadn't revisited in more than a decade. There, on both sides of the street, were houses that neither he, nor anyone else for that matter, had seen in all those years, and yet they were still standing. There, running out of their front door, were Mr and Mrs Davies, with Mrs Davies holding her pet Yorkshire terrier under her arm. There, in the middle of the street, was Mr Harris, the ARP warden, self-important in his tin helmet, barking orders at them to get to shelter, and quickly.

  Michael was wondering whether anyone could see him, when his question was answered by Mr Harris.

  'Oi, you... Lad! Get inside, quick. This isn't a walk along the bloody promenade. It's an air raid!'

  He had heard him say those words before; it wasn't déjà vu. Michael had heard Mr Harris say those exact words, with that exact voice. Looking further down the street, past Mr Harris, he saw three figures outside the open door of number 26; a boy no older than eleven, an older girl, and a woman, her hair still in curlers.

  Michael thought for a moment that his heart might stop, or that he would finally, thankfully wake up, but he didn't. Running from their house and out into Neville Street, he saw his mother, his sister Maria, and himself.

  Mr Harris did an about-turn, and starting yelling at the three of them and, though Michael couldn't hear what he was saying over the drone of the planes and the slam and the roar of the explosions, he could remember. Mr Harris was asking them where they were going, and Michael's mother was telling him that they were going to her sister's house on Clare Road, because they had an Anderson shelter there. Mr Harris told them to hurry up while they were at it, and so they started running.

  Michael knew what happened next.

  They were halfway down Neville Street when Michael's mother stopped in her tracks. She had told him and his sister to carry on running until they reached Aunty Megan's, and then she had run back to the house. Maybe she had forgotten something.